Pages (as notated in the top corners)

445 – BOB CLAMPETT praises Babbitt and defends his reputation for being difficult.

454 – FRANK TASHLIN praises Babbitt.

461 – HAROLD ADELQUIST describes himself and his duties as Personnel ("casting") Director.

467 – Adelquist's description of how production works at Disney, from Story to Direction to Animation to Ink & Paint, to Music Checking and Cleanup, Camera, Processing, and Soundtrack.

497 – Adelquist on Robert D. Feild's book

498 – Adelquist's friendship with Babbitt

500 – August 1941, following the strike

502 – May 1941, leading up to the strike

504 – August and September, 1941

509 – The November layoffs and the following grievance meeting.

543 – Babbitt's time at the studio from September 17 through November 24

558 – Adelquist's request to Babbitt in March 1941 that he leave union talk outside the studio.

572 – Time Cards

578 – Babbitt returns after the strike

581 – Arbitration's salary plan

584 – CROSS-EXAMINATION: Job of a Checker, Traffic, Assistant Director, and personal details

592 – Addressing how more strikers were laid off than non-strikers (*a shouting match begins)

605 – How projects were delivered late when Babbitt was not given assignments

611 – How Babbitt was asked to correct "How to Fish" and supervise Geppetto animation.

623 – Guild officers were dominated by non-strikers after the strike

627 – Some non-strikers Les Clark were on the layoff list.

628 – "Baggage Buster" paled.

629 – Developing Geppetto

630 – Some strikers were not on the layoff list, which was OK'ed by a non-striking Guild board.