Pages (as notated in the top corners)

634 – ANTHONY O'ROURKE describes his background in private labor arbitration and working for Disney.

659 – CROSS EXAMINATION: O'Rourke has a longer history with the Disney company than he previously said.

663 – O'Rourke bends the rules of arbitration

669 – The post-strike Guild board

673 – BILL ROBERTS describes his background, running the Federation in 1940 and revitalizing it at Walt's behest.

690 –Roberts describes organizing the Federation on company time until February 6, 1941

692 – Assigning Babbitt the Clown sequence in Dumbo, and the rating system.

701 – The judge catches Roberts in a lie about telling with Walt that Babbitt was hard to work with.

710 – CROSS EXAMINATION: Roberts organized, and signed a petition to the president, on company time,

719 – WILFRED JACKSON describes his background and testifies that Babbitt was always hard to work with.

731 – CROSS EXAMINATION: Babbitt always got top grades on his work.

735 – REDIRECT EXAMINATION: Jackson gave Babbitt the Mr. Stork part because it didn't require collaboration.

741 – DAVE HAND describes his background

745 – Hand's 1938 Creative Development Program and how Babbitt was considered a "lesser" animator

765 – Hand describes Babbitt as difficult, and so his lecturing was limited.

776 – CROSS EXAMINATION: Hand's memory is in question

783 – JACK KINNEY describes his background and says he had no work to give Babbitt.

793 – Kinney hated working with Babbitt and preferred Woolie Reitherman, and describes the rating system.

809 – CROSS EXAMINATION: Kinney admits that Babbitt was better than John Sibley, who was not laid off.

812 – Kinney says Babbitt's live-action study benefited the studio, and "Baggage Buster" had story problems.

824 – DICK LUNDY describes his backgound.

827 – Lundy directed Babbitt, on "Flying Jalopy" and "Autograph Hound," and his work was merely fair.

837 – CROSS EXAMINATION: Other animators also add footage, and "Autograph Hound" had story problems.

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